Space, 2026

Seen from the ground and rising beyond the frame, Space builds a monumental tower of blue, gray, and gold glass panels, its perspective lines converging toward a swirling planet of ultramarine and white.

The composition began with the first image of SpaceX’s IPO materials, the biggest IPO ever seen in the stock market, reinterpreted plane by plane through a fragmented, almost cubist language.

Its angle also echoes with Robert and Sonia Delaunay and their Eiffel Tower piercing the sky, translated into the machine ambition of our own century.

At first glance the work reads as rockets and technological conquest.

But here SpaceX stands as a symbol of something larger: a new form of intelligence in which engineering, artificial intelligence, capital, and vision converge into a single upward force.

The satellite is both structure and trajectory — power organizing itself toward the sky.

What holds the painting together is a mixture of fascination and unease: the beauty of technological elevation, and the open question of where it is taking us. Space is ultimately a painting about transition — from one era to another, from human-centered intelligence toward something potentially beyond us.